PLEASE NOTE: This is an archive of our original site, for informational purposes only. We no-longer have a sales catalogue.





The artwork by Real Musgrave, including prints, cards, etchings, posters, and rubber stamps, that we used to list on our catalogue.
Note that this list may include information specific to the particular copy we last sold, including condition and price. It also includes additional notes by Real on a couple of the etchings, particularly on the piece entitled "W.A.S Magic Wimsey".


colouring
.The Pocket Dragons & Friends Colouring Book

I just love the subtitle: "The Whimsical World of Real Musgrave".

I don't know anything about this other than what is obvious - it appears to have been a promotional item for one of the Peter Jackson The Jeweller stores. Presumably back in 1994 they sold Pocket Dragons. In the UK, a number of jewellery stores carried Pocket Dragons.

The book is A4 size (folded and stapled A3), 8-1/4" by 11-5/8", which is slightly taller and narrower than standard US letter size. It has a cover and 16 pages, and the only blank page is the inside front cover. The front and back are printed in green ink; the interior pages are printed in black ink.

This is a great publication, but it suffers from having been printed on paper that is not heavy enough, or at least not opaque enough, to prevent show-through of the image on the other side of each sheet. I do find that a sheet of black paper placed behind the page you are looking at works wonders, though (it's how I got the photos of the pages above).

I know if you bought this it would likely not be to actually color it in, but if you did you should use crayons or colored pencils. Definitely not felt-tipped pens or watercolors. Actually, my suggestion would be to make photocopies of the pages and color those in instead. Photocopying for your own use would be OK, provided you didn't distribute the copies.

The book and artwork is copyright 1994 by Real Musgrave.


DT1001
Gargoyle Hoping For Raspberry Teacakes (Card)

Pocket Dragon Card Gargoyle Hoping For Raspberry Teacakes (Card). Note card. Blank Inside. Art Copyright 1986 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1003
Tournament Insurance (Card)

Pocket Dragon Card Tournament Insurance (Card). Note card. Blank Inside. Art Copyright 1986 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1004
Heralds of the Night (Card)

Note card. Blank Inside. Art Copyright 1986 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1006
And We'll Plant the Flowers Here (Card)

Note card. Blank Inside. Art Copyright 1986 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1007
Under the Bed (Card)

Note card. Blank Inside. Art Copyright 1986 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1008
The Volunteer (Card)

Note card. Blank Inside. Art Copyright 1986 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1009
Psst... Wanna Buy a Dragon (Card)

Note card. Blank Inside. Art Copyright 1986 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1010
Paper Training the Hatchling (Card)

Pocket Dragon Card Paper Training the Hatchling (Card). Note card. Blank Inside. Art Copyright 1986 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1012
All Tucked In (Card)

Pocket Dragon Card All Tucked In (Card). Note card. Blank Inside. Art Copyright 1986 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1013
To Touch The Sea Of Dreams (Card)

Note card. Blank Inside. Art Copyright Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1014
Wizard Observatory (Card)

Pocket Dragon Card Wizard Observatory (Card). Note card. Blank Inside. Art Copyright 1986 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1137
Joy Ride (Card)

Note card. Blank Inside. Art Copyright Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1138
No Frills Flying (Card)

Pocket Dragon Card No Frills Flying (Card). Note card. Blank Inside. Art Copyright 1988 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1139
Monday Morning (Card)

Note card. Blank Inside. Art Copyright 1988 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1140
Na-Na-Na-Naa-Na! (Card)

Pocket Dragon Card Na-Na-Na-Naa-Na! (Card). Note card. Blank Inside. Art Copyright 1988 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1245
The Toad Gatherer (Card)

Pocket Dragon Card The Toad Gatherer (Card). Note card. Blank Inside. Art Copyright 1988 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1347xmasc
The Perfect Tree (Card)

Inside: "May the Gifts of Fantasy and Wonder be Yours..." Card image copyright 2000 Dragon Tales. Artwork copyright Real Musgrave. All rights reserved worldwide.


DT1348xmasc
Is It Christmas Yet? (Card)

Inside: "Is it Christmas Yet?" Card image copyright 2000 Dragon Tales. Artwork copyright Real Musgrave. All rights reserved worldwide.


DT1466
Besieged by Dragons (Card)

Pocket Dragon Card Besieged by Dragons (Card). Note card. Blank Inside. Art Copyright 1989 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1468
Another Masterpiece (Card)

Note card. Blank Inside. Art Copyright 1989 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1470
A Very Victorian Dragon (Card)

Note card. Blank Inside. Art copyright 1989 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide. This one reminds me of the Classical Dragon.


DT1471
Raiding the Cookie Jar (Card)

Pocket Dragon Card Raiding the Cookie Jar (Card). Note card. Blank Inside. Art Copyright 1989 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1472
Magic on Wheels (Card)

Pocket Dragon Card Magic on Wheels (Card). Note card. Blank Inside. Art Copyright 1989 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1497
The Chocolate Factory (Card)

Note card. Blank Inside. Art Copyright 1990 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1500xmasc
Deck The Halls With Dragons Jolly (Card)

Inside: "Deck the Halls with Dragons Jolly Card image copyright 2000 Dragon Tales. Artwork copyright Real Musgrave. All rights reserved worldwide.


DT1503
Chamber Music (Card)

Note card. Blank Inside. Art Copyright 1991 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1507
Romantic Journey (Card)

Note card. Blank Inside. Art Copyright 1992 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1508xmasc
Twas the Night Before Christmas
Limited Quantity Available (Card)

Inside: "Twas The Night Before Christmas." Card image copyright 2000 Dragon Tales. Artwork copyright Real Musgrave. All rights reserved worldwide.


DT1510xmasc
Peace on Earth (Card)

Inside: "Peace On Earth" Card image copyright 2000 Dragon Tales. Artwork copyright Real Musgrave. All rights reserved worldwide.


DT1513
Hello World! (Card)

Pocket Dragon Card Hello World! (Card). Note card. Blank Inside. Art Copyright 1993 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1514
Just Visiting (Card)

Pocket Dragon Card Just Visiting (Card). Note card. Blank Inside. Art Copyright 1993 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1515
Pilgrims' Progress (Card)

Pocket Dragon Card Pilgrims' Progress (Card). Note card. Blank Inside. Art Copyright 1993 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1526
The Light at the End of the Tunnel (Card)

Pocket Dragon Card The Light at the End of the Tunnel (Card). Note card. Blank Inside. Art Copyright 1993 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1527
Dragon of the Depths (Card)

Note card. Blank Inside. Art Copyright 1993 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1531xmasc
Our Family Tree (Card)

Inside: O tannenbaum O tannenbaum! How lovely are thy branches... Happy Holidays! Art Copyright Real Musgrave. Card and card image copyright 1993 Dragon Tales; All rights reserved worldwide.


DT1532xmasc
The Three Wise Dragons (Card)

Inside: "And Three Wise Dragons Brought the Magical Gifts of Wonder, Delight and Imagination...Seasons Greetings" Card image copyright 2000 Dragon Tales. Artwork copyright Real Musgrave. All rights reserved worldwide.


DT1533xmasc
December in Atlantis (Card)

Inside: "Stars and Fishes bring Magical Wishes for the Happiest of Holidays!" Card image copyright 2000 Dragon Tales. Artwork copyright Real Musgrave. All rights reserved worldwide.


DT1536
The Astronomers (Card)

Pocket Dragon Card The Astronomers (Card). Note card. Blank Inside. Art Copyright 1994 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1537
Sometimes The Dragon Wins (Card)

Note card. Blank Inside. Art Copyright 1994 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1543xmasc
The Sugar Plum Fairy (Card)

Inside: "It's that time of year...Are you ready for the dance of the Sugar Plum Fairy? Happy Holidays!" Card image copyright 2000 Dragon Tales. Artwork copyright Real Musgrave. All rights reserved worldwide.


DT1544xmasc
Ho! Ho! Ho! (Card)

Inside: "Ho! Ho! Ho! Happy Holidays!" Card image copyright 2000 Dragon Tales. Artwork copyright Real Musgrave. All rights reserved worldwide.


DT1548xmasc
Wee Three Kings (Card)

Inside: "Joy to the World!" Card image copyright 2000 Dragon Tales. Artwork copyright Real Musgrave. All rights reserved worldwide.


DT1552
Thank You, Rover (Card)

Note card. Blank Inside. Art Copyright 1996 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1553
Bathing the Gargoyle (Card)

Note card. Blank Inside. Art Copyright Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1562xmasc
A Band of Angels (Card)

Inside: "May your holidays be filled with the music of laughter." Card image copyright 2000 Dragon Tales. Artwork copyright Real Musgrave. All rights reserved worldwide.


DT1564xmasc
Christmas Cookies (Card)

Inside: "May your Holidays be filled with Sugar and Spice and Everything Nice!!" Card image copyright 2000 Dragon Tales. Artwork copyright Real Musgrave. All rights reserved worldwide.


DT1576
The Apprentice (Card)

Pocket Dragon Card The Apprentice (Card). Note card. Blank inside. Art Copyright Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1577
Rocket Research (Card)

Pocket Dragon Card Rocket Research (Card). Note card. Blank Inside. Art Copyright Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide. From the text on the back, I'd guess this is an early version of Zoom Zoom.


DT1578
The Wizard's House (Card)

Note card. Blank inside. Art Copyright Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1579
The Budget (Card)

Pocket Dragon Card The Budget (Card). Note card. Blank Inside. Art Copyright Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide. Even the bunny slippers look worried.


DT1581
Elementary My Dear (Card)

Real Musgrave Pocket Dragon Card Elementary My Dear (Card). Note card. Blank Inside. Art Copyright 1999 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT1598xmasc
Jingle Bells (Card)

Inside: "Wishing you a sleigh full of Fun and Good Cheer!" Card image copyright 2000 Dragon Tales. Artwork copyright Real Musgrave. All rights reserved worldwide.


DT1600xmasc
Let It Snow (Card)

Inside: Beware of tiny snowballs... Happy Holidays! Art Copyright Real Musgrave. Card and card image copyright 2000 Dragontales; All rights reserved worldwide.


DT1604xmasc
And Hay For The Reindeer (Card)

Inside: "Tis the Season for Sharing" Card image copyright 2001 Dragon Tales. Artwork copyright Real Musgrave. All rights reserved worldwide.


DT1607
A Very Dignified Portrait (Card)

Pocket Dragon Card A Very Dignified Portrait (Card). Note card. Blank Inside. Art Copyright Real Musgrave. Image copyright 2001 Dragon Tales. All rights reserved worldwide.


DT2004
Bunny and the Beast (Card)

Pocket Dragon Card Bunny and the Beast (Card). Note card. Blank Inside. Art Copyright Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT2013
Bunny-Toes and Juliet (Card)

Pocket Dragon Card Bunny-Toes and Juliet (Card). Note card. Blank Inside. Art Copyright 1991 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT2014
Cleocatra (Card)

Pocket Dragon Card Cleocatra (Card). Note card. Blank Inside. Art Copyright 1991 Real Musgrave. Image copyright 2000 Dragon Tales. All rights reserved worldwide.


DT2016xmasc
Our Magic Ride (Card)

Inside: "There's Magic In the Air... Happy Holidays!" Card image copyright 2000 Dragon Tales. Artwork copyright Real Musgrave. All rights reserved worldwide.


RM0000
.Choosing the Bedtime Story (Poster)

Pocket Dragon Poster "Choosing The Bedtime Story" by Real Musgrave. 28" tall, 22" wide. Image size 20" by 16". Shipped rolled in a tube.

Copyright Real Musgrave, all rights reserved worldwide; image reproduced here with permission of the artist.


RM0001
.Sharing the Bathroom (Print)

Pocket Dragon art print "Sharing The Bathroom" by Real Musgrave. Signed, numbered, limited edition. Art 8" x 10-1/2", matt 12x16. Copyright Real Musgrave, all rights reserved worldwide; image reproduced here with permission of the artist.


RM0002
.Computer Wizard (Print)

Pocket Dragon art print "Computer Wizard" by Real Musgrave. Signed, numbered, limited edition. Art 8" x 10-1/2", matt 12x16. Copyright Real Musgrave, all rights reserved worldwide; image reproduced here with permission of the artist.


RM0003
.Emergency Care (Print) (Not matted)

Pocket Dragon art print "Emergency Care" by Real Musgrave. Signed, limited edition, one of 1500. Page size 11-1/2 x 8-3/4; Art 8" x 10-1/2'. Suitable for matting and framing.

Copyright Real Musgrave, all rights reserved worldwide; image reproduced here with permission of the artist.


RM0005
.Financial Wizard (Print)

Art Print "Financial Wizard" by Real Musgrave. Signed, numbered, limited edition. Art 14" x 17-3/4", unmounted, ships rolled in a sturdy tube or box. Copyright Real Musgrave, all rights reserved worldwide; image reproduced here with permission of the artist.


RM0006
.Pocket Dragons in Space (Print)

Pocket Dragon art print "Pocket Dragons in Space" by Real Musgrave. Signed, numbered, limited edition, one of 995. Art 17-3/4" x 14", unmounted, ships rolled in a sturdy tube or box. Copyright Real Musgrave, all rights reserved worldwide; image reproduced here with permission of the artist.


RM0007
.The Lesson (Print)

Pocket Dragon art print "The Lesson" by Real Musgrave. Signed, numbered, limited edition. Art 8" x 10-1/2", matt 12x16. Copyright Real Musgrave, all rights reserved worldwide; image reproduced here with permission of the artist.


RM2000S
.Garden Party (Signed Poster)

Scarborough Faire 2000 poster "Garden Party" by Real Musgrave. Signed "With Magic! Real 4/2000". Poster size 22" by 28", artwork size apx. 14 1/2" by 18". Ships rolled in a tube.

Copyright 2000 Real Musgrave, all rights reserved worldwide; image reproduced here with permission of the artist.


RM2000
.Garden Party (Poster)

Scarborough Faire 2000 poster "Garden Party" by Real Musgrave. Poster size 22" by 28", artwork size apx. 14 1/2" by 18". Ships rolled in a tube.

Copyright 2000 Real Musgrave, all rights reserved worldwide; image reproduced here with permission of the artist


RM2001
.Dragons! And Castles! Oh My! (Poster)

Scarborough Faire 2001 poster "Dragons! And Castles! Oh My!" by Real Musgrave. Poster size 22" by 28", artwork size apx. 14 1/2" by 18". Printed on lightweight stock. Ships rolled in a tube.

Copyright 2001 Real Musgrave, all rights reserved worldwide; image reproduced here with permission of the artist.


RM2001S
.Dragons! And Castles! Oh My! (Signed Poster)

Scarborough Faire 2001 poster "Dragons! And Castles! Oh My!" by Real Musgrave. Signed "With Magic! Real 4/01". Poster size 22" by 28", artwork size apx. 14 1/2" by 18". Printed on lightweight stock. Ships rolled in a tube.

Copyright 2001 Real Musgrave, all rights reserved worldwide; image reproduced here with permission of the artist.


RM2002Q
.And All Shall Be United (Poster) *Signed and with artist's remarque*

Scarborough Faire 2002 poster "And All Shall Be United" by Real Musgrave. Signed "With Magic! Real 9/02" and with a remarque of a Pocket Dragon blowing a trumpet. Poster size 22" by 28", artwork size apx. 14 1/2" by 18". Ships rolled in a tube.

Copyright 2002 Real Musgrave, all rights reserved worldwide; image reproduced here with permission of the artist.


rmbmk1
Autographed Bookmark

This is an autographed bookmark with a Pocket Dragon drawing by Real Musgrave. (Above is the front; below is the back).


RMcake
.Original Intaglio Etching "Cupcake"

Original intaglio etching by Real Musgrave "Cupcake", 1989. Signed, numbered 84 of a limited edition of 150. Hand printed by Real Musgrave and double matted by Muff Musgrave. The print itself is 6" by 6-3/4", matted to a frame size of 8" by 10". The image window on the matt is 3-1/2" by 5". The image above shows the entire picture, ready for framing. Copyright Real Musgrave, all rights reserved worldwide; image reproduced here with permission of the artist.

Artist's Notes on How The Print Was Made
by Real Musgrave

"One of my BFA degrees was in printmaking. So I love the look and loved the process but I can hardly imagine doing it now. Too few people realized how intense the process was. Sadly, many collectors actually thought that a color lithograph reproduced from a painting was a superior print. And that was SO much easier! After a while it no longer seemed worth all the effort. My etching press is packed up in grease and stored away. But I hope you can explain to people just why these are considered such a unique art form. And for anyone interested in longevity, the materials are hard to beat. I have seen a 500 year old engraving by Albrecht Durer that is as beautiful today as the day it was pulled.

"The process I used in almost all of my intaglio etchings is called aquatint. It involves stopping out (and then removing) various parts of the plate with a "resist" and then putting the plate in an acid bath several times. First the line work is etched. Then by trial and error --with several proofs for each tone, to check progress-- the mid-tones are etched into the plate. Ink is rubbed onto the plate with cheesecloth, then wiped until just the right amount is left on the roughened areas. The plate is put onto the bed of a hand cranked press. Then a deckled sheet of hand-made cotton rag paper, which has been soaked in water and slightly blotted (to make it absorb the ink better), is placed on that. Finally, layers of felt blankets go on top and the whole thing is cranked through. When it works, you get an etching! But the plate wears out fairly quickly, so not very many..."


RMeagr
.Original Intaglio Etching "Eager Meerschaum"

Original intaglio etching by Real Musgrave "Eager Meerschaum", 1981. Signed, numbered 107 of a limited edition of 150. Hand printed by Real Musgrave and double matted by Muff Musgrave. The print itself is 6" by 6-3/4", matted to a frame size of 8" by 10". The image window on the matt is 3-1/2" by 5". The image above shows the entire picture, ready for framing. Copyright Real Musgrave, all rights reserved worldwide; image reproduced here with permission of the artist.

Artist's Notes on How The Print Was Made
by Real Musgrave

"One of my BFA degrees was in printmaking. So I love the look and loved the process but I can hardly imagine doing it now. Too few people realized how intense the process was. Sadly, many collectors actually thought that a color lithograph reproduced from a painting was a superior print. And that was SO much easier! After a while it no longer seemed worth all the effort. My etching press is packed up in grease and stored away. But I hope you can explain to people just why these are considered such a unique art form. And for anyone interested in longevity, the materials are hard to beat. I have seen a 500 year old engraving by Albrecht Durer that is as beautiful today as the day it was pulled.

"The process I used in almost all of my intaglio etchings is called aquatint. It involves stopping out (and then removing) various parts of the plate with a "resist" and then putting the plate in an acid bath several times. First the line work is etched. Then by trial and error --with several proofs for each tone, to check progress-- the mid-tones are etched into the plate. Ink is rubbed onto the plate with cheesecloth, then wiped until just the right amount is left on the roughened areas. The plate is put onto the bed of a hand cranked press. Then a deckled sheet of hand-made cotton rag paper, which has been soaked in water and slightly blotted (to make it absorb the ink better), is placed on that. Finally, layers of felt blankets go on top and the whole thing is cranked through. When it works, you get an etching! But the plate wears out fairly quickly, so not very many..."


RMhamm
.Original Intaglio Etching "If I Had A Hammer..."

Original intaglio etching by Real Musgrave "If I Had A Hammer", 1986 Signed, numbered 66 of a limited edition of 150. Hand printed by Real Musgrave and double matted by Muff Musgrave. The print itself is 8-1/5" by 10-1/2", matted to a frame size of 11" by 14". The image window on the matt is 6" by 8". The image above is cropped as the entire picture was too big for our scanner. Copyright Real Musgrave, all rights reserved worldwide; image reproduced here with permission of the artist.

Artist's Notes on How The Print Was Made
by Real Musgrave

"One of my BFA degrees was in printmaking. So I love the look and loved the process but I can hardly imagine doing it now. Too few people realized how intense the process was. Sadly, many collectors actually thought that a color lithograph reproduced from a painting was a superior print. And that was SO much easier! After a while it no longer seemed worth all the effort. My etching press is packed up in grease and stored away. But I hope you can explain to people just why these are considered such a unique art form. And for anyone interested in longevity, the materials are hard to beat. I have seen a 500 year old engraving by Albrecht Durer that is as beautiful today as the day it was pulled.

"The process I used in almost all of my intaglio etchings is called aquatint. It involves stopping out (and then removing) various parts of the plate with a "resist" and then putting the plate in an acid bath several times. First the line work is etched. Then by trial and error --with several proofs for each tone, to check progress-- the mid-tones are etched into the plate. Ink is rubbed onto the plate with cheesecloth, then wiped until just the right amount is left on the roughened areas. The plate is put onto the bed of a hand cranked press. Then a deckled sheet of hand-made cotton rag paper, which has been soaked in water and slightly blotted (to make it absorb the ink better), is placed on that. Finally, layers of felt blankets go on top and the whole thing is cranked through. When it works, you get an etching! But the plate wears out fairly quickly, so not very many..."


RMknoc
.Original Intaglio Etching "Knock Knock..."

Original intaglio etching by Real Musgrave "Knock Knock...", 1986 Signed, numbered 69 of a limited edition of 150. Hand printed by Real Musgrave and double matted by Muff Musgrave. The print itself is 8-1/5" by 10-1/2", matted to a frame size of 11" by 14". The image window on the matt is 6" by 8". The image above is cropped as the entire picture was too big for our scanner. Copyright Real Musgrave, all rights reserved worldwide; image reproduced here with permission of the artist.

Artist's Notes on How The Print Was Made
by Real Musgrave

"One of my BFA degrees was in printmaking. So I love the look and loved the process but I can hardly imagine doing it now. Too few people realized how intense the process was. Sadly, many collectors actually thought that a color lithograph reproduced from a painting was a superior print. And that was SO much easier! After a while it no longer seemed worth all the effort. My etching press is packed up in grease and stored away. But I hope you can explain to people just why these are considered such a unique art form. And for anyone interested in longevity, the materials are hard to beat. I have seen a 500 year old engraving by Albrecht Durer that is as beautiful today as the day it was pulled.

"The process I used in almost all of my intaglio etchings is called aquatint. It involves stopping out (and then removing) various parts of the plate with a "resist" and then putting the plate in an acid bath several times. First the line work is etched. Then by trial and error --with several proofs for each tone, to check progress-- the mid-tones are etched into the plate. Ink is rubbed onto the plate with cheesecloth, then wiped until just the right amount is left on the roughened areas. The plate is put onto the bed of a hand cranked press. Then a deckled sheet of hand-made cotton rag paper, which has been soaked in water and slightly blotted (to make it absorb the ink better), is placed on that. Finally, layers of felt blankets go on top and the whole thing is cranked through. When it works, you get an etching! But the plate wears out fairly quickly, so not very many..."


RMlast
.Original Intaglio Etching "The Last Cookie"

Original intaglio etching by Real Musgrave "The Last Cookie", 1992. Signed, numbered 52 of a limited edition of 150. Hand printed by Real Musgrave and double matted by Muff Musgrave. The print itself is 6" by 6-3/4", matted to a frame size of 8" by 10". The image window on the matt is 3-1/2" by 5". The image above shows the entire picture, ready for framing. Copyright Real Musgrave, all rights reserved worldwide; image reproduced here with permission of the artist.

Artist's Notes on How The Print Was Made
by Real Musgrave

"One of my BFA degrees was in printmaking. So I love the look and loved the process but I can hardly imagine doing it now. Too few people realized how intense the process was. Sadly, many collectors actually thought that a color lithograph reproduced from a painting was a superior print. And that was SO much easier! After a while it no longer seemed worth all the effort. My etching press is packed up in grease and stored away. But I hope you can explain to people just why these are considered such a unique art form. And for anyone interested in longevity, the materials are hard to beat. I have seen a 500 year old engraving by Albrecht Durer that is as beautiful today as the day it was pulled.

"The process I used in almost all of my intaglio etchings is called aquatint. It involves stopping out (and then removing) various parts of the plate with a "resist" and then putting the plate in an acid bath several times. First the line work is etched. Then by trial and error --with several proofs for each tone, to check progress-- the mid-tones are etched into the plate. Ink is rubbed onto the plate with cheesecloth, then wiped until just the right amount is left on the roughened areas. The plate is put onto the bed of a hand cranked press. Then a deckled sheet of hand-made cotton rag paper, which has been soaked in water and slightly blotted (to make it absorb the ink better), is placed on that. Finally, layers of felt blankets go on top and the whole thing is cranked through. When it works, you get an etching! But the plate wears out fairly quickly, so not very many..."


RMlaun
.Original Intaglio Etching "Launching The Gargoyle"

Original intaglio etching by Real Musgrave "Launching The Gargoyle", 1980 Signed, numbered 51 of a limited edition of 150. Hand printed by Real Musgrave and double matted by Muff Musgrave. The print itself is 8-1/5" by 10-1/2", matted to a frame size of 11" by 14". The image window on the matt is 6" by 8". The image above is cropped as the entire picture was too big for our scanner. Copyright Real Musgrave, all rights reserved worldwide; image reproduced here with permission of the artist.

Artist's Notes on How The Print Was Made
by Real Musgrave

"One of my BFA degrees was in printmaking. So I love the look and loved the process but I can hardly imagine doing it now. Too few people realized how intense the process was. Sadly, many collectors actually thought that a color lithograph reproduced from a painting was a superior print. And that was SO much easier! After a while it no longer seemed worth all the effort. My etching press is packed up in grease and stored away. But I hope you can explain to people just why these are considered such a unique art form. And for anyone interested in longevity, the materials are hard to beat. I have seen a 500 year old engraving by Albrecht Durer that is as beautiful today as the day it was pulled.

"The process I used in almost all of my intaglio etchings is called aquatint. It involves stopping out (and then removing) various parts of the plate with a "resist" and then putting the plate in an acid bath several times. First the line work is etched. Then by trial and error --with several proofs for each tone, to check progress-- the mid-tones are etched into the plate. Ink is rubbed onto the plate with cheesecloth, then wiped until just the right amount is left on the roughened areas. The plate is put onto the bed of a hand cranked press. Then a deckled sheet of hand-made cotton rag paper, which has been soaked in water and slightly blotted (to make it absorb the ink better), is placed on that. Finally, layers of felt blankets go on top and the whole thing is cranked through. When it works, you get an etching! But the plate wears out fairly quickly, so not very many..."


RMMpdr
.What Pocket Dragons Do When They Retire (Book) [Autographed by Real and Muff]

Book "What Pocket Dragons Do When They Retire", by Muff and Real Musgrave.

Autographed on the front endpaper flyleaf by Real and Muff, including a Pocket Dragon remarque by Real.

Illustrated children's book. 8 x 10 inches, 32 pages of all new art (half pencil and half watercolours). Casebound with glossy colour hardback cover.

Not available in regular bookshops.

Image copyright Real & Muff Musgrave, 2006


RMpidg
.Gargoyle Pursued By Pigeons (Print)

Pocket Dragon Print "Gargoyle Pursued By Pigeons" by Real Musgrave. The print itself is 7" by 9", matted to a frame size of 11" by 14". The image window on the matt is 6-1/2" by 8-1/2". The image above is cropped as the entire picture was too big for our scanner. Copyright Real Musgrave, all rights reserved worldwide; image reproduced here with permission of the artist.


RMsnac
.Original Intaglio Etching "Midnight Snack"

Original intaglio etching by Real Musgrave "Midnight Snack", 1987 Signed, numbered 129 of a limited edition of 150. Hand printed by Real Musgrave and double matted by Muff Musgrave. The print itself is 8-1/5" by 10-1/2", matted to a frame size of 11" by 14". The image window on the matt is 6" by 8". The image above is cropped as the entire picture was too big for our scanner. Copyright Real Musgrave, all rights reserved worldwide; image reproduced here with permission of the artist.

Artist's Notes on How The Print Was Made
by Real Musgrave

"One of my BFA degrees was in printmaking. So I love the look and loved the process but I can hardly imagine doing it now. Too few people realized how intense the process was. Sadly, many collectors actually thought that a color lithograph reproduced from a painting was a superior print. And that was SO much easier! After a while it no longer seemed worth all the effort. My etching press is packed up in grease and stored away. But I hope you can explain to people just why these are considered such a unique art form. And for anyone interested in longevity, the materials are hard to beat. I have seen a 500 year old engraving by Albrecht Durer that is as beautiful today as the day it was pulled.

"The process I used in almost all of my intaglio etchings is called aquatint. It involves stopping out (and then removing) various parts of the plate with a "resist" and then putting the plate in an acid bath several times. First the line work is etched. Then by trial and error --with several proofs for each tone, to check progress-- the mid-tones are etched into the plate. Ink is rubbed onto the plate with cheesecloth, then wiped until just the right amount is left on the roughened areas. The plate is put onto the bed of a hand cranked press. Then a deckled sheet of hand-made cotton rag paper, which has been soaked in water and slightly blotted (to make it absorb the ink better), is placed on that. Finally, layers of felt blankets go on top and the whole thing is cranked through. When it works, you get an etching! But the plate wears out fairly quickly, so not very many..."


RMsnug
.Original Intaglio Etching "Snuggles"

Original intaglio etching by Real Musgrave "Snuggles", 1992. Signed, numbered 43 of a limited edition of 150. Hand printed by Real Musgrave and double matted by Muff Musgrave. The print itself is 6" by 6-3/4", matted to a frame size of 8" by 10". The image window on the matt is 3-1/2" by 5". The image above shows the entire picture, ready for framing. Copyright Real Musgrave, all rights reserved worldwide; image reproduced here with permission of the artist.

Artist's Notes on How The Print Was Made
by Real Musgrave

"One of my BFA degrees was in printmaking. So I love the look and loved the process but I can hardly imagine doing it now. Too few people realized how intense the process was. Sadly, many collectors actually thought that a color lithograph reproduced from a painting was a superior print. And that was SO much easier! After a while it no longer seemed worth all the effort. My etching press is packed up in grease and stored away. But I hope you can explain to people just why these are considered such a unique art form. And for anyone interested in longevity, the materials are hard to beat. I have seen a 500 year old engraving by Albrecht Durer that is as beautiful today as the day it was pulled.

"The process I used in almost all of my intaglio etchings is called aquatint. It involves stopping out (and then removing) various parts of the plate with a "resist" and then putting the plate in an acid bath several times. First the line work is etched. Then by trial and error --with several proofs for each tone, to check progress-- the mid-tones are etched into the plate. Ink is rubbed onto the plate with cheesecloth, then wiped until just the right amount is left on the roughened areas. The plate is put onto the bed of a hand cranked press. Then a deckled sheet of hand-made cotton rag paper, which has been soaked in water and slightly blotted (to make it absorb the ink better), is placed on that. Finally, layers of felt blankets go on top and the whole thing is cranked through. When it works, you get an etching! But the plate wears out fairly quickly, so not very many..."


RMsucc
.Original Intaglio Etching "To Our Success"

Original intaglio etching by Real Musgrave "To Our Success", 1986 Signed, numbered 115 of a limited edition of 150. Hand printed by Real Musgrave and double matted by Muff Musgrave. The print itself is 8-1/5" by 10-1/2", matted to a frame size of 11" by 14". The image window on the matt is 6" by 8". The image above is cropped as the entire picture was too big for our scanner. Copyright Real Musgrave, all rights reserved worldwide; image reproduced here with permission of the artist.

Artist's Notes on How The Print Was Made
by Real Musgrave

"One of my BFA degrees was in printmaking. So I love the look and loved the process but I can hardly imagine doing it now. Too few people realized how intense the process was. Sadly, many collectors actually thought that a color lithograph reproduced from a painting was a superior print. And that was SO much easier! After a while it no longer seemed worth all the effort. My etching press is packed up in grease and stored away. But I hope you can explain to people just why these are considered such a unique art form. And for anyone interested in longevity, the materials are hard to beat. I have seen a 500 year old engraving by Albrecht Durer that is as beautiful today as the day it was pulled.

"The process I used in almost all of my intaglio etchings is called aquatint. It involves stopping out (and then removing) various parts of the plate with a "resist" and then putting the plate in an acid bath several times. First the line work is etched. Then by trial and error --with several proofs for each tone, to check progress-- the mid-tones are etched into the plate. Ink is rubbed onto the plate with cheesecloth, then wiped until just the right amount is left on the roughened areas. The plate is put onto the bed of a hand cranked press. Then a deckled sheet of hand-made cotton rag paper, which has been soaked in water and slightly blotted (to make it absorb the ink better), is placed on that. Finally, layers of felt blankets go on top and the whole thing is cranked through. When it works, you get an etching! But the plate wears out fairly quickly, so not very many..."


RMtower
.A Very Modest Ivory Tower (Small Poster)

Poster "A Very Modest Ivory Tower" by Real Musgrave. Poster size 11" by 17", artwork size 9" by 12".

Copyright 1984 Real Musgrave, all rights reserved worldwide; image reproduced here with permission of the artist.


RMvacu
.Original Intaglio Etching "Vacuum Ace"

Original intaglio etching by Real Musgrave "Vacuum Ace", 1986 Signed, numbered 80 of a limited edition of 150. Hand printed by Real Musgrave and double matted by Muff Musgrave. The print itself is 8-1/5" by 10-1/2", matted to a frame size of 11" by 14". The image window on the matt is 6" by 8". The image above is cropped as the entire picture was too big for our scanner. Copyright Real Musgrave, all rights reserved worldwide; image reproduced here with permission of the artist.

Artist's Notes on How The Print Was Made
by Real Musgrave

"One of my BFA degrees was in printmaking. So I love the look and loved the process but I can hardly imagine doing it now. Too few people realized how intense the process was. Sadly, many collectors actually thought that a color lithograph reproduced from a painting was a superior print. And that was SO much easier! After a while it no longer seemed worth all the effort. My etching press is packed up in grease and stored away. But I hope you can explain to people just why these are considered such a unique art form. And for anyone interested in longevity, the materials are hard to beat. I have seen a 500 year old engraving by Albrecht Durer that is as beautiful today as the day it was pulled.

"The process I used in almost all of my intaglio etchings is called aquatint. It involves stopping out (and then removing) various parts of the plate with a "resist" and then putting the plate in an acid bath several times. First the line work is etched. Then by trial and error --with several proofs for each tone, to check progress-- the mid-tones are etched into the plate. Ink is rubbed onto the plate with cheesecloth, then wiped until just the right amount is left on the roughened areas. The plate is put onto the bed of a hand cranked press. Then a deckled sheet of hand-made cotton rag paper, which has been soaked in water and slightly blotted (to make it absorb the ink better), is placed on that. Finally, layers of felt blankets go on top and the whole thing is cranked through. When it works, you get an etching! But the plate wears out fairly quickly, so not very many..."


RMWAS93
.Original Intaglio Etching. "W.A.S. Magic Whimsy"

Original intaglio etching "W.A.S. Magic Whimsy" by Real Musgrave.

Three-color-process and hand-colored very detailed original intaglio etching, featuring Pocket Dragons and friends, enjoying a ride on the Wizard Air Ship.

Signed by Real Musgrave, dated '83, and numbered 93/150 [though the actual production run was somewhat less than 150; see notes below].

This original print is in excellent condition. It is double matted (by Muff Musgrave), and framed.

The frame size is 18 1/4" by 22 1/4"; the image size is 9 1/4" by 12 1/8".

We will remove the etching (with matte) from the frame to pack it separately for shipping. If you have any questions about the etching or shipping, please contact us, thanks.

************

Artist's Notes on How The Print Was Made
by Real Musgrave

"One of my BFA degrees was in printmaking. So I love the look and loved the process but I can hardly imagine doing it now. Too few people realized how intense the process was. Sadly, many collectors actually thought that a color lithograph reproduced from a painting was a superior print. And that was SO much easier! After a while it no longer seemed worth all the effort. My etching press is packed up in grease and stored away. But I hope you can explain to people just why these are considered such a unique art form. And for anyone interested in longevity, the materials are hard to beat. I have seen a 500 year old engraving by Albrecht Durer that is as beautiful today as the day it was pulled.

"The process I used in almost all of my intaglio etchings is called aquatint. It involves stopping out (and then removing) various parts of the plate with a "resist" and then putting the plate in an acid bath several times. First the line work is etched. Then by trial and error --with several proofs for each tone, to check progress-- the mid-tones are etched into the plate. Ink is rubbed onto the plate with cheesecloth, then wiped until just the right amount is left on the roughened areas. The plate is put onto the bed of a hand cranked press. Then a deckled sheet of hand-made cotton rag paper, which has been soaked in water and slightly blotted (to make it absorb the ink better), is placed on that. Finally, layers of felt blankets go on top and the whole thing is cranked through. When it works, you get an etching! But the plate wears out fairly quickly, so not very many... Each one is numbered as it comes out of the press because the best impressions are normally from the beginning of the edition.

" 'WAS Magic Whimsy' was a killer. Three complex aquatints to register on three passes through the press on irregularly shaped pieces of wet paper. You can normally expect to lose at least 25-30% of the edition through mis-registration and proofing on each additional pass. So that means printing many more of the first sheets than you will get in the end, etc. I optimistically gave it an edition size of 150 but came no where near that in the end when I started discarding mis-registered prints. In this case, the red was done with gouache because watercolour would not have been dense and bright enough."


















VIP1001
Stars

Pocket Dragon Rubber Stamp Stars. Image size 11/16'' x 1/2''.


VIP1002
Prints

Pocket Dragon Rubber Stamp Prints. Now we know how the bottom of pocket dragon feet are shaped. Leave little tracks everywhere! Image size 3/4'' x 3/4''.


VIP1003
Spill (last one, used once)

Pocket Dragon Rubber Stamp Spill. Now we know where those ''Prints'' came from. Just look on the bottoms of your Pocket Dragon's feet and you'll know whodunit. Image size 3/4'' x 3/4''.


VIP1004
Love

Pocket Dragon Rubber Stamp Love. Cupid's dart landed here (you can tell by the rubber dart). 7/8'' x 3/4''.


VIP1005
Hearts

Pocket Dragon Rubber Stamp Hearts. Image size 3/4'' x 5/8''.


VIP1006
Flower

Pocket Dragon Rubber Stamp Flower. Start a garden! Image size 5/8'' x 3/4''.


VIP1007
Another Flower

Pocket Dragon Rubber Stamp Another Flower. Make a garden! Image size 3/4'' x 3/4''.


VIP1008
Ink Well

Pocket Dragon Rubber Stamp Ink Well. Image size 1/2'' x 3/4''.


VIP1009
Fine Print

Pocket Dragon Rubber Stamp Fine Print. Which Pocket Dragon wants to be a lawyer? Image size 1-1/16'' x 3/4''.


VIP1010
Lots Of Books (last one, used once)

Pocket Dragon Rubber Stamp Lots Of Books. Never enough books in a Pocket Dragon library. Use this stamp over and over and you might get it about right. Image size 3/4'' x 5/8''.


VIP1011
Balloons

Pocket Dragon Rubber Stamp Balloons. Throw a party for your Pocket Dragons. Image size 1'' x 1''.


VIP1012
Chocolate (last one, used once)

Pocket Dragon Rubber Stamp Chocolate. What do Pocket Dragons like to snack on? Bon Bons! Image size 3/4'' x 3/4''.


VIP1013
Candle

Pocket Dragon Rubber Stamp Candle. Image size 1'' x 1''.


VIP1014
Designs

Pocket Dragon Rubber Stamp Designs. Great for borders. Image size 11/16'' x 3/4''.


VIP1015
Bedtime Story

Pocket Dragon Rubber Stamp Bedtime Story. After cookies, a Pocket Dragon's next favorite thing. Image size 3/4'' x 3/4''.


VIP1016xmaso
Star Design

Pocket Dragon Rubber Stamp Star Design. With ''Design'' makes a great edging for letterhead or greeting cards. Image size 3/4'' x 3/4''.


VIP1017xmaso
Ribbon

Pocket Dragon Rubber Stamp Ribbon. For Christmas or Birthdays or Parties; goes well with ''Gift.'' Image size 7/8'' x 3/4''.


VIP1018xmaso
Gift

Pocket Dragon Rubber Stamp Gift. For a birthday, for Christmas, really, Pocket Dragons need no excuses to give gifts. Image size 7/8'' x 9/16''.


VIP1019
Book (last one, used once)

Pocket Dragon Rubber Stamp Book. Where there are Pocket Dragons there are... books! Image size 15/16'' x 9/16''.


VIP1021
Open Book (last one, used once)

Pocket Dragon Rubber Stamp Open Book. If you want to catch a Pocket Dragon, leave some of these lying around. Image size 1/2'' x 3/4''.


VIP1022
X & O

Pocket Dragon Rubber Stamp X & O. Image size 5/8'' x 11/16''.


VIP1023
Pencil

Pocket Dragon Rubber Stamp Pencil. Image size 3/4'' x 3/4''.


VIP1024
Egg

Pocket Dragon Rubber Stamp Egg. Goes well with ''Basket'' and ''Easter.'' Image size 5/8 x 13/16''.


VIP1025
Basket

Pocket Dragon Rubber Stamp Basket. Goes well with ''Egg'' and ''Easter.'' Image size 3/4'' x 3/4''.


VIP1026
Oompah

Pocket Dragon Rubber Stamp Oompah. Now you know why ''Music Maker'' looks pleased. Image size 1'' x 11/16''.


VIP1027xmaso
Two Notes

Pocket Dragon Rubber Stamp Two Notes. Great with ''Music Maker.'' Image size 7/12'' x 1/2''.


VIP1028xmaso
Notes

Pocket Dragon Rubber Stamp Notes. Goes well with ''Music Maker'' and ''Noel.'' Image size 5/8'' x 5/8''.


VIP1029xmaso
Holiday Candle (last one, used once)

Christmas Rubber Stamp Holiday Candle Pocket Dragon. Image size 1'' x 1''.


VIP1030xmaso
Ornament

Rubber Stamp Christmas Ornament, Pocket Dragon. This is the kind of ornament I want on my tree: one that is pleased to be there. Image size 7/8'' x 3/4''.


VIP1032xmaso
Candy

Pocket Dragon Rubber Stamp Candy. Image size 1'' x 7/8''.


VIP1034xmaso
Holly

Pocket Dragon Rubber Stamp Holly. Image size 1'' x 5/8''.


VIP1036
Smile

Pocket Dragon Rubber Stamp Smile. Goes well with Hold It! Image size 1'' x 3/4''.


VIP1037
Film

Pocket Dragon Rubber Stamp Film. Goes with ''Hold It.'' Image size 7/8'' x 9/16''.


VIP1101
A Good Book (small) (Rubber Stamp) (last one, used once)

From the sparkle in this Pocket Dragon's eye, you can tell we're just getting to the good parts. Image size 1-3/16'' x 1-3/8''.


VIP1102
Writer (small)

Pocket Dragon Rubber Stamp Writer (small). Image size 1-1/4'' x 1-1/2''.


VIP1103
Easter

Rubber Stamp Easter Pocket Dragon. And you thought it was an Easter *Bunny*. Image size 1-1/16'' x 1-5/8''.


VIP1104
Music Maker (last one, used once)

Pocket Dragon Rubber Stamp Music Maker. Who made that Big Noise... and rather enjoyed doing it! Goes well with ''Oompah'' of course! Image size 1-1/8'' x 1-5/8''.


VIP1105xmaso
Noel (last one, used once)

Pocket Dragon Rubber Stamp Noel. She might not actually be able to read the songbook but she really loves to sing. Image size 1-1/4'' x 1-1/2''.


VIP1107xmaso
Angel(last one, used once)

Rubber Stamp Angel, Pocket Dragon. Well, Pocket Dragons do have wings... why not a halo? Image size 1-1/8'' x 1-1/2''.


VIP1108
I'm Sorry (last one, used once)

Pocket Dragon Rubber Stamp I'm Sorry. Definitely a sincerely apologetic dragon. Image 1'' x 1-1/2''.


VIP1110
Cupid (last one, used once)

Valentine's Day Rubber Stamp Cupid Pocket Dragon. Watch out for that rubber-tipped arrow! Image size 1-1/8'' x 1-1/2''.


VIP1111
Bouquet (small)

Pocket Dragon Rubber Stamp Bouquet (small). How can you resist? Image size: 1-1/8'' x 1-1/2''.


VIP1113
Good Night (small) (last one, used once)

Pocket Dragon Rubber Stamp Good Night (small). Image size 1-1/8'' x 1-1/2''.


VIP1114
Happy Birthday (small)(Last one, used once)

Pocket Dragon Rubber Stamp Happy Birthday (small). Now who could have eaten that piece of cake? Image size 1-1/4'' x 1-1/2''.


VIP1115
Hold It! (last one, used once)

Pocket Dragon Rubber Stamp Hold It!. Smile for the camera! Image size 1-1/8'' x 1-3/4''.


VIP1201
A Good Book (large) (Rubber Stamp)

From the sparkle in this Pocket Dragon's eye, you can tell we're just getting to the good parts. Image size 1-3/4'' x 2-1/8''.


VIP1202
Writer (large)

Pocket Dragon Rubber Stamp Writer (large). Image size 1-5/8'' x 2-1/8''.


VIP1209
I Made A Mistake

Sometimes Real Musgrave manages to capture so much complex emotion in one image it's amazing. Haven't you seen this look on someone who's too upset about making a mistake to look truly apologetic? Image size 1-1/2'' x 2-3/8''.


VIP1211
Bouquet (large)

Pocket Dragon Rubber Stamp Bouquet (large). How can you resist? Image size: 1-3/4'' x 2-1/4''.


VIP1212
Look Close

Pocket Dragon Rubber Stamp Look Close. Is that Specs I see? Image size: 1-3/4'' x 2-1/4''.


VIP1213
Good Night (large)

Pocket Dragon Rubber Stamp Good Night (large). Nightcap and slippers and a candle to keep the monsters off the stairs. Image size: 1-3/4'' x 2-1/4''.


VIP2204
Happy Birthday (large) (last one, used once)

Pocket Dragon Rubber Stamp Happy Birthday (large). Now who could have eaten that piece of cake? Image size: 1-3/4'' x 2-1/4''.


bbd
Besieged By Dragons

Lithographic print. Copyright Real Musgrave.


drudge
The Drudge

Etching. Copyright Real Musgrave.


goodkitty108
W. Goodkitty

Etching. Copyright Real Musgrave.


hammer13
If I Had A Hammer.

Etching. Copyright Real Musgrave.


icewitch
Ice Witch

Etching. Copyright Real Musgrave.


lastcookie
The Last Cookie

Etching. Copyright Real Musgrave.


launching
Launching The Gargoyle

Etching. Copyright Real Musgrave.


lesson582
The Lesson

Lithographic print. Copyright Real Musgrave.


meerschaum
Eager Meerschaum

Etching. Copyright Real Musgrave.


nursemaids
Nursemaids

Etching. Copyright Real Musgrave.


quiettime
Quiet Time

Etching. Copyright Real Musgrave.


quiettime26
Quiet Time

Etching. Copyright Real Musgrave.


rocketresearch
Rocket Research

Lithographic print. Copyright Real Musgrave.


sharingwithteddy
Sharing With Teddy

Etching. Copyright Real Musgrave.


snuggles
Snuggles

Etching. Copyright Real Musgrave.


teawith
Tea With The Chess Queen

Etching. Copyright Real Musgrave.


theoracle
The Oracle

Etching. Copyright Real Musgrave.


tooursuccess
To Our Success

Etching. Copyright Real Musgrave.


vacuumace
Vacuum Ace

Etching. Copyright Real Musgrave.


whp
The Wizard's House

Lithographic print. Copyright Real Musgrave.